Pulitzer finalist (Yellowman) and Obie winner Dael Orlandersmith looks at how the boxes around gender, orientation, race, and ethnicity that were intended to foster inclusion, complicate theatre-making.
Q&A moderated by Lynn Nottage, two-time Pulitzer Prize winner (Sweat, Ruined) and Associate Professor of Playwriting, School of the Arts, Columbia University.
Co-presented by the Arts Administration Program, Teachers College, and the Theatre Program
